I've got a "real" website now.
www.brockwayguitars.com
Check out the blog page for updates on shop happenings.
Monday, October 1, 2012
Wednesday, August 15, 2012
Volute Headstock Repair
I tend to use splines only when it is a 2nd break or if the break is on the scarf joint.
This was a first break on a Tanglewood acoustic guitar. I used hot hide glue and did some minimal touch up with cyanoacrylate and a french polish so that the break area was smooth to the touch.
Wednesday, August 8, 2012
August 2012
4534 Nicollet August 8th, 2012.
Here's a Martin that was on one of my benches last week. Crack repair, partial re-fret, new bone nut &
saddle plus a K & K Pure Mini pickup. I use the sound hole pickup
(made by Seymour Duncan) to set intonation. The K & K pickup is installed
inside the instrument at the bridge plate and goes out through an end button jack. Pretty nice.
I've started carrying both K & K and L.R. Baggs pickups for acoustic instruments. Check them out if you are not familiar:
Monday, May 14, 2012
Jazz Bass Style Pick-ups
Until recently I've stuck to repairing and rewinding pickups; but the original Jazz Bass style pickups in this "Grande" bass were so corroded that I decided to try my hand at making a new pair for the customer.
Old Pickup
I fit the new pickups to the old covers.
I was fascinated by the name of this bass.
Thursday, April 26, 2012
Monday, April 2, 2012
Wednesday, March 7, 2012
Silvertone 1410L Converted To Lefty
P.A. brought me a nice Silvertone 1410L specimen for some structural repairs including a new nut and a new bridge to be cut & set up for a left handed player.
This instrument was suffering from "rising tongue" (upward sloping of the fingerboard after the 14th fret) which caused the notes to fret out badly after the 15th.
This instrument was suffering from "rising tongue" (upward sloping of the fingerboard after the 14th fret) which caused the notes to fret out badly after the 15th.
Rising tongue profile shot w/ frets removed.
The frets were not friendly about being removed from their slots.
No more rising tongue. Hard to tell from the picture, but trust me it's gone.
I put the old frets backs in and gave them a level n crown. No more fretting out.
Lefty nut and ebony truss cover
Lefty bridge made from rosewood.
Silvertone 1410L
Worst D.I.Y. headstock repair ever?
Since I've moved back north I see a lot more electric guitars from rock n' rollers which means I see a lot more headstock breaks. This Dot Epiphone was repaired not so well by the owner with epoxy and then carelessly doused with wood glue. I'll keep his name confidential, but he really loves his guitar and wanted me to make sure the headstock would not break again.
Before.
I steamed the old glue joint apart and cleaned everything up. Obviously it was a mess but I glued everything back w/ epoxy (used for it's gap filling properties) and reinforced the break with my splint routing jig. I made a new veneer, sanded all the contours, sealed everything up and showed it to the owner. He was very happy with the repair and insisted that I not refinish the area exclaiming, "It looks like it's been in a fire!"
Said owner plays in a "noise rock" band.
Said owner plays in a "noise rock" band.
Tuesday, December 27, 2011
Wednesday, November 30, 2011
Shop is operational
I'm offering a $20 guitar set-up special for the month of December.
Estimates are free.
Monday, November 14, 2011
New shop on 46th and Nicollet
Sunday, November 13, 2011
Farewell to my job in North Carolina
Somewhere around 400 repair invoices for guitars, banjos, bouzoukis, cellos, upright basses, mandolins, ukes, dulcimers, a sitar and more.
A good start.
I've been back in Minnesota for 2 months now getting ready for winter and setting up shop.
Thanks Acoustic Corner and all the folks that trusted me with their fine instruments! It was truly an adventure.
Friday, September 2, 2011
Shen Bass Golf Cart Accident
This bass neck hit a tree while riding in the back of a golf cart. The owner wants a new neck installed.
My assistant, Matt Hannafin, in the background.
I had to use a shim to achieve the correct overstand with the new neck that was sent to the shop. I was hesitant to use a shim for a new neck, but after talking to the Shen people on the phone I was assured by them that a shim for a new Shen bass neck is standard practice. Samuel Shen said so himself.
I don't want to say how many shims I made until I had just the right fit, but it was a lot.
Here's the new neck freshly glued into the body after lots of time was spent fitting.
I glued the fingerboard on with the instrument still in the white, which isn't what you're supposed to do; but due to time constraints and keeping costs down for the customer I glued the fingerboard down and cleaned everything up before applying a thin finish. Can't say I regretted it too much, but I'll do what I can to avoid ever doing it that way again.
I think I took this picture at 4 in the morning.
Thanks, Hannafin, for helping out. I really couldn't have done it by myself.
Wednesday, August 3, 2011
Martin Binding Re-glue
Tuesday, August 2, 2011
Subscribe to:
Posts (Atom)